A BRIDGE TO LITERACY: CREATING LIFELONG
READERS THROUGH AUDIOBOOKS
by Denise Marchionda
Reading begins with the spoken word. Children
acquire their first reading words from daily interactions with
adults. Through conversations,
children soon learn that spoken words are the same words written
in their environment, and the miraculous process of reading begins!
This is why emergent readers can easily recognize signs along the
road such as "STOP" or restaurant marquees such as "McDonald's." Reading
instruction builds on this oral language. Parents or caregivers who
regularly talk and read to a child are the first, and best, teachers
of reading.
The American Academy of Pediatrics recommends
that parents read to their children daily from six months of age.
They also say that
reading aloud to children helps stimulate brain development and fuels
a close emotional relationship between parent and child. Regularly
enjoying books together and talking about them can do more to teach
a child to read and to improve school success than anything else.
Audiobooks, too, can be shared and enjoyed, and be part of the "learning
to read" process.
When children enter school and begin the formal
process of learning to read, audiobooks easily can be used to supplement
the curriculum
and can become part of at-home leisure reading. Although the cuddly
sharing of books should never be replaced at any age, teachers and
parents can provide a variety of audiobooks to be companions of--or
replacements for--the printed text. Especially when books become
longer and more involved, audiobooks can help readers expand their
skills in many ways. "Years ago, audiobooks were promoted for
special needs or reluctant readers," says Karen Harris, former
professor of library science at the University of New Orleans. "But
some of the most enthusiastic listeners are the best readers." Many
of her college students were initially skeptical about using audiobooks
for reading and teaching, telling her, "I like real books." Now
these very students have been seduced by audiobooks and are extending
that experience to their own students.
Reading a text along with listening to an
audiobook is one way to provide a good model of reading for a developmental
reader. Audiobooks
offer suitable models for proper enunciation and inflection. In school,
students are often asked to "read aloud" for their classmates.
Some accomplished and practiced readers do so in high fashion. But
not all students are equally verbose. Some children have had limited
exposure to good reading models.
Audiobooks can fill in the gap. Listening to practiced orators,
while reading along with the printed text, allows students to see
how punctuation is used for inflection, pause, or stops. Fluency,
the ability to read with no breaks in the narrative with clear and
well-timed enunciation, is also an acquired reading skill that can
be honed while listening. A practiced narrator on an audiobook is
a great model for students to learn from and emulate. The more sophisticated
reader can also benefit from using this strategy by picking up the
subtleties of a text, as well as different emphases, and interpretive
and narrative styles.
For any level reader, child to adult, audiobooks can help support
vocabulary acquisition. Listening vocabulary is often at a higher
level than a person's reading and speaking vocabulary. Children who
listen to a book being read while following along with the printed
text can both see and hear new words, and the new words are more
likely to be remembered. If a book is a bit above a reader's current
level of reading, an audiobook presents the correct pronunciation,
the book shows the correct spelling, and the context reveals the
meaning. Therefore, a solid bridge is created for learning new vocabulary.
Audiobooks encourage active listening and
critical thinking skills--skills necessary for reading comprehension.
Dr. Junko Yokota, professor
of reading and language at National-Louis University in Illinois,
says, "Listening comprehension is a skill that receives little
attention in teaching, yet it is a highly needed skill throughout
life." Audiobooks are a great tool for teaching critical listening.
Listening to audiobooks alone mimics and parallels the silent reading
process; prior knowledge is interacting with the story, along with
the development and use of vocabulary, syntax, and semantics.
When presented with classic literature or
archaic and complex structures of language, for example, Shakespeare,
using an audiobook as a guide
can be extremely helpful to understanding and deciphering the meaning
of the language when heard orally. Shakespeare's works were meant
to be heard and performed! Therefore, the audiobook presentation
is a wonderful way to hear the proper names and uncommon words pronounced
correctly. Not always easily understood when seen alone in print,
antiquated words may not be spelled phonetically, creating difficulty
in reading. Again, a bridge is built for comprehension and awareness
of the subtleties of reading. Mary Dalton Howard, an eleventh-grade
teacher at Elizabeth High School in Plaza Elizabeth, New Jersey,
says, "An English teacher loves Hawthorne and Steinbeck, but
let's face it, no one else does." Yet with the unabridged recording
of THE GRAPES OF WRATH for example, she was able to successfully
teach the entire book in depth. She also uses audiobooks to efficiently
cover sophisticated material.
Last year in Dalton's World Literature course,
her students simultaneously read and listened to their choice of
WILD SWANS: THREE DAUGHTERS
OF CHINA, by Jung Chang; MEMOIRS OF A GEISHA, by Arthur S. Golden;
THE GOD OF SMALL THINGS, by Arundhati Roy; or THE POISONWOOD BIBLE,
by Barbara Kingsolver. Then they wrote to the ambassador of the country
of their choice and told him or her what they learned from the book.
Stories like these, which take place in exotic locales or which have
characters who speak with accents, are also facilitated by the auditory
presentation. These titles, or other books set in a different time
period or in a faraway place, are presented in a realistic and authentic
manner. Christopher Paul Curtis, author of THE WATSONS GO TO BIRMINGHAM--1963
and BUD, NOT BUDDY, was interviewed for Listening Library's audio
presentation Poised for Literacy, A Guide to Using Children's Audiobooks,
and said that people spoke differently in various decades and that
audiobooks have the advantage of presenting the actual way people
spoke. "The tape allows you to hear what the author was trying
to present at the time."
The advantage of using an audiobook with unfamiliar subject matter
is that if listeners still cannot understand what they have read,
they can replay sections to better understand passages or just enjoy
the narrative. THE ADVENTURES OF HUCKLEBERRY FINN, the perennial
Twain favorite, is a good example of a book that is fraught with
dialogue that is almost indecipherable. If able to hear the dialogue
while reading, the reader can understand more fully the humor, nuance,
and characterization of Huck and his pals. The lone silent reader
who is not familiar with the patterns of old Southern speech and
dialect may easily lose the humor when struggling to decipher the
text. Humorous literature can lose its punch if it is not delivered
with proper timing, emphasis and pause for readers to understand
the humor. Satire and irony are also more understood when read properly.
Assisted by the audiobook presentation, the reader is free to enjoy
the flow of the language and appreciate the humor as it was intended.
Audiobooks can generate excitement for the
nonreader. Dr. Junko Yokota says, "Audiobooks can be used to play a particularly
salient part of a text to listeners who might then be interested
in reading the whole book. How could anyone resist Redwall after
hearing some of those exciting passages from the full-cast version?
But the book itself is so thick that some find it daunting." Cynthia
Graves, a retired high school teacher at Westbrook High School in
Westbrook, Maine, agrees and says that audiobooks have allowed some
of her students to successfully get through a book. "Before
the audiobooks were introduced, some students didn't take reading
seriously. The audiobooks encouraged them, and they found them to
be very user-friendly." Graves used audiobooks often in her
regular and honors English classes. "Can we listen now?" was
a common refrain in her classroom. "The kids looked forward
to coming in and listening to their books, and it gave me time to
individually conference with each one." She asked her students
to take notes while listening, keep a running journal, or write a
summary at the end of each class. "Students become more focused
and make progress in long-term memory. Developmentally, it is worth
the time it takes in class," says Graves.
Most importantly, listening to audiobooks can successfully promote
a reading habit and create a lifelong reader. Parents, teachers,
librarians, or friends who are making audiobooks available to children
and others are giving them the most precious gifts of reading, literacy,
and knowledge. They are also giving them the ability to read and
experience literature anywhere, anytime, anyplace. A most precious
gift indeed.
©AudioFile Publication, Portland, Maine
AudioFile Magazine , August/September 2001
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